ED001

All supplies offered for sale are more than sufficient to re-create the model.
All prices include shipping and handling
in the United States.

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I offer charts in electronic and paper format.  When you purchase an ePattern, you will be automa- tically directed to a download link.

If you purchase an ePattern that includes beads, your beads will be mailed to you at no extra cost.

All transactions are processed through Paypal. The merchant of record is:

B10 MEDIAWORX

Yes, I take wholesale orders! Please contact me by phone, fax, email, or snail mail to set up an account.

Elizabeth Beeton
PO Box 786
Liberty, MO 64069-0786
(816) 479-4330
fax: (816) 479-4331

elizabeth@effervescentdesigns.com

ePattern $10.00
Paper Pattern $10.00
Fabric #1: Picture This Plus "Relic" Cashel $30.00
Fabric #2: Zweigart "Sand" Cashel $18.00
Fabric #3: Silkweaver "Sandcastle" 28-count Lugana $20.00
Floss: DMC $8.25
Glitter: Kreinik $5.50
Sparkle: Delica beads $4.50

DESIGN SPECIFICATIONS

Design Size:  180w x 155h
Fabric: linen 28-count
Fabric size (empiric): 19" x 17" (includes 3" margin)
Fabric size (metric): 50 x 43 cm (includes 8-cm margin)
Relief: full crosses (2 strands over 2)
backstitch (1 strand over 2)
long stitch (4 strands)

SUPPLY LIST

Fabric: 
Fat 1/4 (27"x18") 28-count evenweave stitched over 2
DMC Floss:
167 741 817 (2) 900 (2)
680 745 (2) 829 971
720 (2) 782 869
Kreinik #4 braid:
003
202HL
Delica beads:
0181
0233
0602

HOW "IN PARTS" CAME TO BE

 

I saw this piece:

 

 

while surfing the web looking for Christmas-Hanukkah-Kwanzaa-Ramadan pictures for a holidays diversity piece for work in 1999.  My eye is drawn toward more geometrical/technical art, as well as being drawn to the richness of reds, oranges, and yellows.  This was my original interpretation, done in 2000 and given as a Christmas gift:

 

 

QATAMARUS
18th c., Egypt, al-Hamuli(?)
[Middle East MS uncatalogued]

Housed in the Aziz S. Atiya Middle East Library, J. Willard Marriott Library

http://www2.art.utah.edu/Paging_Through/14/index.html

Qatamarus is rendered in English as lectionary, and although the manuscript is from the post-medieval period, it testifies to the persistence of the hand-produced book.  The term, qatamarus, is probably an Arabic transliteration from the Greek kata meros (“in parts”).  A complete set of the Qatamarus would comprise four volumes for the worship at the Office or Mass in the Coptic Church in Egypt.  Three of the volumes are seasonal, with readings from the Old and New Testament intended for Lent, Holy Week, and Pentecost.  The fourth, the annual Qatamarus, contains readings for the rest of the year.  Different feasts are celebrated, with lessons drawn from the Psalms and the Gospels, and selected texts may vary in each of these books according to the particular rite followed in Upper and Lower Egypt.

This volume is an annual Qatamarus with readings for each Sunday and weekday of the year not specific to any of the other three lectionaries.  It serves to establish continuity from day to day, from Sunday to Sunday.  Weekly lessons, to fit with the life of the saint commemorated each day, are often chosen from the Psalms and the Four Gospels.  Sunday passages are thematically grouped in fours to provide a constant topic for each of the twelve months, an annual cycle intended to signify beginnings and ends of things:  the year, the church, the world.  The first page of this lectionary opens the Coptic year with the month of Tut (corresponding to 12 September in the Gregorian calendar), and Sunday readings express the love of God the Father for mankind through constituent elements:  His wisdom, the gospel of Jesus Christ, the promise of salvation, and forgiveness toward penitents.  On the first page, an introduction in Arabic to the book is followed by Psalm 95:1-2, the evening psalm, and a parable about the sower of the cockle from Matthew 13:44-45.

More reading:  http://umfa.dev.verite.com/?id=MTY5#coptic

 


All images on this site are the property of the
copyright holder(s). They have all been legally
licensed from the artists and fees duly paid to
them. The charts made from them are derivative
works and are copyrighted by
Elizabeth Senzee Beeton for
Effervescent Designs.

Stitchers are welcome to make working copies
of the charts they have purchased. Copying
or reproducing in any form analog or digital for
any other purpose is strictly prohibited by law.

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